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snow

Northern Finland: Up the fell and down again

snowy trees in Finland
There are rather large trees hiding in this picture.

My feet point inwards when I walk, but I imagine that my clumsiness using snowshoes for the first time is universal. It might have helped if my first snowshoe walk was on flat ground, but we were at the bottom of the fell and the point of driving to the fell – as well as to see the birds – was to climb to the top.

The advantage of walking with snowshoes is that you can walk on ground that has not been made compact by constant traffic. We started however on the path, following it as it wound upwards. The hill was steep. (And I’m saying this as someone who is surrounded by steep hills at home. I take my time getting into third gear when I’m driving up to the village and I switch to the other side of the road when I’m running because it has an ever so slightly gentler gradient.) Small children overtook me as I clambered upwards.

The hillside was covered in tall fir trees

The Father likes a decent sized Christmas tree, and there’s a vaulted ceiling in his living room to accommodate such, but these trees were more the sort of heights you might import and then have the local newspaper write an article or three about. They were also buried with snow.

My Finnish friend, Kettu, laughed at my wonder at the trees by the car. But this was nothing compared to those at the top. They were drowning in snow. So much snow that you wondered how, under the weight of it they didn’t break. I recalled how when I was in France, and we’d been felling a few trees that were overgrown and blocked the view to a nearby castle. I had been find hauling away the branches of the first few trees, and quite enjoying it. Then we felled a conifer, and my progress dramatically slowed. Branches I expected to lift, I dragged along beside me, sweating profusely.

Snowshoes
Don’t the snowshoes make my feet look small?

Kettu made me take off some of the layers that had been keeping me warm

It was a good call. When you’re trying to stay still as to not scare away the birds, you’re susceptible to freezing your toes and fingers off. Especially as it’s quite tricky to work a camera with two pairs of gloves on. As soon as you start walking, the situation is reversed. You’re trying not to sweat because what you don’t want is for your thermals to get wet, because then, as soon as you stop the cold’s going to get you.

During the first stretch of hill climbing, when we stuck to the path, and I waddled along in my snowshoes, I was overtaken by small children and their pink faced parents who were trying to keep up. As we reached the top though, the freedom of wearing snowshoes suddenly paid off. I could walk anywhere I wanted, as long as I didn’t stride straight over the edge. I took my camera out and moved forward and backwards, exploring the sculpture like shapes – snow-immersed trees – some of which were bent right over, creating huge snow arches, tall enough to walk under.

They made me think of how ice-cream might look if you’d told the Midget, as a child, that she was allowed as much ice-cream as she could cram on top of a single cone.

And this snow accumulation is all despite the shape of these trees having evolved, a bit like the rooves of traditional German houses, to shed snow quickly.

It seemed impossible that the trees could hold the weight of any more snow

But Kettu assured me that earlier in the season they had held more, and in terms of snow, this year was light. The ice on the lake hadn’t frozen so thick, and the snow had not piled so high. She talked about how gentle things were compared to her earlier memories, and the difference in the statistics that compared now to her parent’s childhoods. The ice-caps melting seems something far off and fictional – like birds that swim beneath the seas but do not fly. Here however, ice and snow is what the world is made of for most of the year, and for my friend, it’s supposed to be the ordinary.

When I looked out across the landscape I saw a view that would have been more believable if we were in a helicopter, because looking down from the fell, everything seemed flat. The forests made way for areas of flat, white snow, which I fancied as lakes, but Kettu suggested were more likely to be farmers’ fields. Despite the bold blue sky above, everything around looked like someone had sapped out the colour. All you could see below were the dark trees. Their branches being free from heavy snow showed us what a height we’d climbed. The national park here is known for its micro-climates. And these areas of unique characteristic are all at risk from changing weather patterns.

And once we had taken many pictures, and exhausted our legs, we began to think about our stomachs. And so, after making our way back across virgin snow to the path, we unclipped our snowshoes, placed our bums on the path and slid most of the way down, back to the car.

It was even more fun that you imagine.

Kuusamo fell landscape
The stunning view from the top of the fell. I want to say those white patches are frozen lakes, but they may be farmers’ fields.

Playing. Nothing but good, wonderful, delightful play.

Sliding in snow
Me meeting real voluminous snow for the first time.
Photograph by Kaisa Vänskä, used with permission.

We go for a walk around the neighbourhood, in a perfectly civilised fashion

Two young women who haven’t seen each other for some time, who never have spent all that long together, but whom somehow fit together as if we’ve been friends for years and years. Conversation goes back and forth: life and its tribulations; philosophies and their failings; the weather. Being pen-pals we know about each other’s lives, we understand each other’s stories, and so this conversation is a continuation of an ongoing discussion of life.

And then, as we’re reaching the apartment, I spot a washing line and decide what I want is to nip inside and grab my camera. Bemused, but accepting, my friend grabs her camera too. The washing line is covered in snow, more snow than that sprinkling England had, and I’m thinking suddenly of the Mother. I want to take a picture of this washing line specially for her. I imagine she, and possibly only she, will appreciate it.

And then we’re outside again, and the blue-haired Finnish photographer, who has welcomed me into her home, is laughing at me.

A grin forms over my face when I look at the snow

The air here is fresh, quiet. I was a witness to this landscape on the train from Helsinki. I travelled north. The sun rose and the snow deepened. I saw the white roads, the banks of snow, the tall trees and frozen lakes. My friend met me at the train station and we took a road trip with sandwiches and a flask of tea. I marvelled at how she drove on ice, how the tyres just worked. How everything was white, and yet, at the same time, in the ever changing sunlight, nothing was. My delight continues. I cannot quite believe my eyes. There is so much snow – less she says than years past – more than I could imagine.

She’s a wonderful photographer

Her pictures capture the quiet silence of this place. The shadows and light of the low sun. The sparkles in the crystals of frozen condensation. The small glimpses of life through the flutter of a bird’s wings. Nature’s sculptures – buried trees – worthy of a permanent position in a sculpture park.  And, between laughing at me and my disbelief, she’s teaching me. Showing me that to make the snow appear white I need to have the histogram for my photo closer to over-exposed than underexposed. Warning me that when I take my camera inside I must keep it zipped tight in its bag, so that it warms slowly, for preferably at least an hour, and doesn’t get damaged by the moisture.

And I snap away. My photos under-exposed, then over-exposed as I switch from taking pictures in the shade of the building to pictures dominated by the sunlight bouncing off the bright, sparkling snow. But in time I find balance. The controlled, yet imp-like smile of my friend gives me permission to take my time. There’s no rush here. She laughs at my delight as I squeal about the snow being like glitter, or because at last I have managed to take a picture of her that’s not a silhouette. I sound like a child, amazed and free.

Then she points to a mound of snow, which some local children have made into a slide

She suggests that I try sliding down, although she doesn’t try herself. She plonks herself and her camera down in the snow, as if the snow were a sofa that one could sink into with ease. Cautiously I climb up, taking care of my footing, I sit slowly, and then, gently I slide down.

And then I run up, my boots springing off the ice. And slide down.

It’s somewhere between minus seven and minus twenty but I have forgotten about the cold. I run up and slide down.

My dear friend gets me a plastic bag. And I run up, lay the bag down on the ice slide, sit upon it and go. Again and again and again. Until my clothes are sticky with sweat and my breath catches in my chest. And I’m laughing. Frost forms on my scarf. I’m talking in quick spurts, occasionally checking that still buried in the cold snow my friend is happy for my to be so indulgent. But she grins as she snaps more and more pictures and tells me I can go again, if I want. Like a grandmother who has seen it many times before and yet is still moved by the childish delight.

I decide I love snow.